Composing the human form
July 5, 2021 – July 16, 2021
In figurative sculpture, the pose is an important means of communication for the artist. Through learning to construct figures and experiment with poses from imagination, the artist is granted a greater degree of artistic freedom and confidence. Rome is the ideal setting to explore the possibilities of how the sculptor can communicate through body language.
During the first week of this class, Alicia will demonstrate the basic forms of the human body and how to assemble them into a naturalistic figure. Students will practice applying the canon of proportion, the rhythms of the body that tie the masses together, and the basic shapes of the masses. Teaching methods will include demonstrations and individual feedback, as well as group discussion. We’ll use a live model for reference when appropriate. During our museum visits, Alicia will highlight particular examples of sculptures that will help us to understand how artists have used the pose to communicate historically. These examples will provide subject matter for our classroom discussions and inspiration for the final project of Week 2.
During the second week, students will each design an individual pose to express a chosen theme. They’ll have the week to design their pose in plastiline. Students will work out the physical expression of their concept drawing on the figure modeling process introduced in week 1, the inspiration of the historical examples in Rome, and importantly, the idea they want to express.
The class is appropriate for any level. Previous experience in figure modeling, figure drawing, or figure painting is helpful. The class will provide an introduction to basic artistic anatomy, or for the more experienced student, an exercise in applying that knowledge. The concepts learned will allow students to approach figurative work with greater confidence and understanding. Historically, painters and draftsmen have employed figure modeling skills to create small sketches as a basis for creating a composition from imagination.
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